Are you TEA’s next photojournalist of the year?

Submit one image (photo or drawing) in portrait* format alongside a max 400-word text and find out!

As archaeologists and heritage professionals, we are aware of the past in a way that others may not be. Our dedication to history also makes us more sensitive to where and when we see the past in the present: where it comes alive, where the public interacts with it and where it has perhaps greater or different meanings and presence today. Tradition, history, and heritage can be stable, or they can change. Some sites may be adapted or interpreted at different times in different ways. This may give them different or changing positions or relations with the public. The past is a major part of the present, as the world in which we live offers myriad archaeological reminders of times gone by.

Once again, TEA welcomes submissions to a photojournalism competition which illustrate the great depth and breadth of archaeology and which include short answer essays on the following theme:

PRESENT PASTS & PASTS PRESENT

How to enter

Submissions should be made online via this link by 31 July 2025 at 23:59 CET. Each entry should include a single high-resolution (600 DPI) portrait-style image (.tif or .png) with an accompanying text (max 400 words).



The text should describe the subject matter of the photo, its location, archaeological relevance and a few lines relating it to archaeological sites or materials still visible today, or to ways in which the modern era has absorbed or incorporated the past into the present. The text should be a .word file, and should also include a thumbnail of the image described. In your email text, please state your full name, institution (if you wish it to be posted) as well as your EAA membership number. Please include ‘TEA Photojournalism competition 2025’ in the subject line of the email.

By submitting an image to the competition, you confirm that you have or have obtained copyright permission, that you provide permission for TEA to print the image in question as a cover, should your entry be among the winners and you also extend permission to the EAA to use the image with accreditation in its promotional materials.

What you can win

The three winning entries will have their EAA membership fees waived for 2025 and will receive certificates describing them as “TEA Photojournalist of the Year 2025”. The images will feature on the winter, spring and summer issues of TEA, and will be announced as TEA’s Photojournalists of 2025.

Rules of the competition

You must be a current EAA Member to enter.

Each Member may submit only one entry, so choose wisely.

You may only submit an image on your own behalf.

The image must be oriented in portrait to potentially fit the cover of a future TEA issue.

You must have copyright permission for the image and you must agree to provide permission to TEA to reprint the image. This includes the possibility of the image being included in a future issue of TEA spotlighting the entries of the competition.

All subject material which answers the competition theme will be considered, though it must also be appropriate to being a cover of TEA.

Any questions should please be addressed to TEA editors Samantha S. Reiter and Matthew J. Walsh at tea@e-a-a.org.

Judging Criteria

After closing date, all submissions will be evaluated by a panel (including both professional photographers as well as archaeologists). Those short-listed will be notified by end of August that their entry has been selected for the second round of the evaluation process, which will be by popular vote by Members of the EAA. Before the voting begins, shortlisted entries will be spotlighted on EAA’s social media channels alongside their texts before the final vote. Winners will be notified by end of October.

*Please note that images which are not in portrait orientation will not be accepted. If you have an image that you would like to contribute that is square or in landscape format you must crop it to portrait format before submitting it to the competition.

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Introducing PastForward – A Shared Space for Archaeologists to Connect, Collaborate and Build Sustainable Careers

Jona Schlegel, Alexandra Dolea & Laura Coltofean

PastForward


Image above: A screenshot of the preview version of PastForward

Archaeologists have long navigated the difficulties of short-term contracts and isolated work environments. PastForward emerges as a thoughtful response to these challenges, creating a dedicated platform that encourages genuine connection and mutual support within the profession. Freelance archaeologists Jona Schlegel, Alexandra Dolea and Laura Coltofean have initiated and are designing this project to transform the current landscape of archaeological practice by fostering a community where experiences are shared, and professional growth is a collective endeavour.

Drawing inspiration from the day-to-day realities of archaeological practice, PastForward aims to offer a setting where skill-enhancing workshops, mentoring sessions, community building and networking events help forge secure career pathways. This space is intended not only to advance expertise but also to cultivate a spirit of connection that diminishes professional isolation. PastForward is still developing, and your support is needed. Have a look at the preview of the platform here.

The forthcoming Kickstarter crowdfunding campaign, scheduled for May 2025, marks a significant step into creating PastForward. The campaign will help us raise the necessary funds for starting off the project with community support both within and outside archaeology. If you believe it is time to create sustainable careers in archaeology, join the crowd and support the movement here.

Further details on the project are available here. For regular updates on the project's progress, subscribe to the PastForward newsletter and follow the journey of creating lasting change in archaeology.

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New book release

Magnus Rönn, Helena Teräväinen and Leif Östman (Eds, 2025). Reflecting History in Architecture and Vernacular Design – Directing Sustainable Futures. Kulturlandskapet (The Cultural Landscape) and Novia University of Applied Sciences.

https://www.novia.fi/assets/Publikationer/Serie-R-Rapporter/Reflecting-history-in-architecture-and-vernacular-design-low.pdf

This anthology presents seven contributions presented at the EAA conference in Rome, 28 - 31 August 2024 at Sapienza University. Helena Teräväinen and Leif Östman (Finland) and Magnus Rönn (Sweden) organized a multidisciplinary session combining lessons from architectural history to designing sustainable futures. The common objective was to explore cultural heritages, the outcome of which is presented in an anthology.

Section I: History and buildings: From inventory to classification and scenarios

The first section includes three articles: Vernacular architecture in the Navia River basin (Asturias, Spain) by Dr. Santiago Rodríguez-Pérez, University of Oviedo; The Greek Archipelago’s architectural forms of sustainability: from tradition to future by Professor Emeritus Athanasios Kouzelis, University of Western Attica; and Experimenting with scenarios as tools for analysing conflicting ideas in building conservation. A scenario exercise based on ideas of John Dewey by Architect Dr. Leif Östman, Novia University of Applied Sciences.

Section II: Material as culture carriers: From craftmanship and tradition to indoor design

The second section contains two articles: The contribution of traditional wood claddings to regenerative architecture: inputs from literature and field studies in Sweden, Norway, and France by PhD Student Geraldine Brun, University of Gothenburg, and Decorating homes with crude constructions: exposed log walls in Finnish home decoration magazines 2017–2023 by Dr. Iida Kalakoski, Tampere University and Riina Siren, Architect and Building Conservator.

Section III: Urban transformation: From cultural heritage to architectural qualities in planning

The third and last section also has two articles: The Heritagization of Different Building Types in a Finnish Rural Town by Dr. Helena Teräväinen, Aalto University, and Architectural dilemmas in Gothenburg: Professions and politics in designing of areas of national importance in cultural heritage policy by Dr. Magnus Rönn, Kulturlandskapet (The Cultural Landscape).

The seven contributions in the book bring important perspectives into the overall theme of the conference, ‘Persisting with Change’. These viewpoints can also contain coherent patterns. The past is still present in the contributions as remains – physical objects as well as memories and ideas. A summarising conclusion is therefore that the cultural environment has several parallel and interwoven traces of different actions, knowledge, and understanding of our surroundings.

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