| For my full publication list, please see https://www.stir.ac.uk/people/257394 | 1.00 | 1219 | 703 |
| FOSTER, S.M., 1989. Analysis of spatial patterns in buildings (access analysis) as an insight into social structure: examples from the Scottish Atlantic Iron Age. Antiquity, 63(238), pp. 40-50. | 2.00 | 1219 | 706 |
| FOSTER, S. and BARRETT, J.C., 1991. Passing the time in Iron Age Scotland. In: W.S. HANSON and E.A. SLATER, eds, Scottish Archaeology: New Perceptions. Aberdeen: Aberdeen University Press, pp. 44-56. | 3.00 | 1219 | 707 |
| FOSTER, S.M. and SMOUT, T.C., eds, 1994. The History of Soils and Field Systems. Aberdeen: Scottish Cultural Press. | 4.00 | 1219 | 708 |
| FOSTER, S.M., 1997. The Picts: quite the darkest of the peoples of Dark Age Britain? In: D. HENRY, ed, The Worm, the Germ and the Thorn. Pictish and Related Studies presented to Isabel Henderson. Balgavies: Pinkfoot Press, pp. 5-15. | 5.00 | 1219 | 709 |
| FOSTER, S.M., MACINNES, A.I. and MACINNES, R. (eds), 1998. Scottish Power Centres: From the Early Middle Ages to the Twentieth Century. Glasgow: Glasgow: Cruithne Press. | 6.00 | 1219 | 710 |
| FOSTER, S.M., ed, 1998. The St Andrews Sarcophagus: A Pictish Masterpiece and its International Connections. Dublin: Four Courts Press. | 7.00 | 1219 | 711 |
| FOSTER, S.M., 2001. Place, Space and Odyssey. Exploring the Future of Early Medieval Sculpture. Rosemarkie: Groam House Museum. | 8.00 | 1219 | 712 |
| FOSTER, S. and LINGE, L., 2002. World Heritage Site buffer zones: statements of fact or aspiration? Conservation and Management of Archaeological Sites, 5(3), pp. 141-150. | 9.00 | 1219 | 713 |
| FOSTER, S.M., 2002. Planning for early medieval sculpture. The recovery and recognition of sense, place and setting. In: L.M. GREEN and P.T. BIDWELL, eds, Heritage of the North Sea Region. Conservation and Interpretation. Donhead St Mary: Donhead, pp. 151-171. | 10.00 | 1219 | 714 |
| FOSTER, S., 2002. Carved stones policy—new developments. In: A. DAKIN, ed, Conservation of Historic Graveyards. Edinburgh: Historic Scotland, pp. 1-4. | 11.00 | 1219 | 715 |
| DOWNES, J., FOSTER, S.M. and WICKHAM-JONES, C.R., eds, 2005. The Heart of Neolithic Orkney World Heritage Site: Research Agenda. Edinburgh: Edinburgh: Historic Scotland. | 12.00 | 1219 | 716 |
| FOSTER, S.M. and CROSS, M., eds, 2005. Able Minds and Practised Hands: Scotland's Early Medieval Sculpture in the 21st Century. Leeds: Society for Medieval Archaeology/Maney. | 13.00 | 1219 | 717 |
| FOSTER, S.M., 2006. Maeshowe and The Heart of Neolithic Orkney. Edinburgh: Historic Scotland. | 14.00 | 1219 | 718 |
| JAMES, H., HENDERSON, I., FOSTER, S.M. and JONES, S., 2008. A Fragmented Masterpiece. Recovering the Biography of the Hilton of Cadboll Pictish Cross-Slab. Edinburgh: Society of Antiquaries of Scotland. | 15.00 | 1219 | 719 |
| FOSTER, S.M. and JONES, S., 2008. Recovering the biography of the Hilton of Cadboll cross-slab. In: H. JAMES, I. HENDERSON, S.M. FOSTER and S. JONES, eds, A Fragmented Masterpiece. Recovering the Biography of the Hilton of Cadboll Pictish Cross-Slab. Edinburgh: Society of Antiquaries of Scotland, pp. 205-284. | 16.00 | 1219 | 720 |
| FOSTER, S.M., 2010. The curatorial consequences of being moved, moveable or portable: the case of carved stones. Scottish Archaeological Journal, 32(1), pp. 15-28. | 17.00 | 1219 | 721 |
| FOSTER, S.M., 2010. Shaping up rock art in Scotland: past progress, future directions. In: T. BARNETT and K. SHARPE, eds, Carving a Future for British Rock Art. New Directions for Research, Management and Presentation. Oxford and Oakville: Oxbow Books, pp. 82-93. | 18.00 | 1219 | 722 |
| FOSTER, S.M., 2012. Pictish parallels for Gotland's Picture Stones. In: M.H. KARNELL, ed, Gotland's Picture Stones. Bearers of an Enigmatic Legacy. Gotland: Fornsalen Publishing, Gotland Museum, pp. 171-182. | 19.00 | 1219 | 723 |
| FOSTER, S.M., 2013. Embodied energies, embedded stories: releasing the potential of casts of early medieval sculptures. In: J. HAWKES, ed, Making Histories. Proceedings of the Sixth International Conference on Insular Art York 2011. Donington: Shaun Tyas, pp. 339-355. | 20.00 | 1219 | 724 |