From an imagined past to an imagined future: a cross-section of archaeology, public archaeology, and heritage
Time: Tuesday, 2 September, 10:00 CET (during Opening Ceremony)
Place: Online through conference web platform integrated with Zoom
Tatjana Cvjetićanin
Heritage-making, along with heritage policies and practices, is often perceived as a domain where binary opposites meet: pasts and presents, professionals and publics, individuals and communities, economic and scientific interests or governmental and civic society priorities.
Initially concerned primarily with archaeological heritage management — sites and objects, their stewardship, conservation, environmental monitoring and sustainability — archaeologists and heritage scholars gradually turned their attention to the processes of the construction of meaning of archaeological heritage. Concepts such as identity, memory, place, landscape, value, authenticity, representation, temporality or future(s) came into the focus. An important realm for critical archaeological heritage studies emerged through public archaeology, seen as a “place and practice” for critical reconsiderations of political, economic or legal contexts of making and preserving archaeological heritage.
Although critical heritage studies and public archaeology have already raised numerous questions challenging traditional approaches to heritage creation and entanglements (not interactions) within the heritage realm, there is still the need to ask some of the questions again.
- What, in fact, constitutes archaeological heritage? Is archaeological heritage every archaeological deposit and each record? Why do archaeologists prefer to excavate heritage rather than archaeological sites? Archaeological heritage seems to be a “thing”. “Archaeological Heritage constitutes the basic record of past human activities” (EAA Rome 2024, topic 3).
- Who or what may enter into the making of archaeological heritage? Are participation, inclusion, mediation or citizen science just buzzwords?
- Do archaeologists and heritage professionals with archaeological background clearly recognize the necessity to change and to use their knowledge to grow from “gatekeepers” to community collaborators and activists, to contribute to societal transformation?
Biography
Tatjana Cvjetićanin is a curator at the National Museum of Serbia (since 1990), at present of the Late Roman and Early Byzantine collection, as well as a full professor at the Department of Archaeology, Faculty of Philosophy of the University of Belgrade (since 2020). She holds Ph.D. in archaeology from the Belgrade University, Serbia (1997), and she is an alumna of the fellowship programme of the Alexander von Humboldt Foundation. She is the former director of the National Museum in Belgrade (2003-2012).
Her interests are equally divided between topics related to archaeology in museums – public archaeology and museology and histories of those disciplines, with rich experience in museum management, strategic planning and development, and collection presentation and interpretation, and Roman pottery and phenomena related to the fortified Roman border.
At present, she is the president of the Society for the Roman pottery studies, Rei Cretaria Romanae Fautores. She was involved in the development of the Balkan Museum Network, a regional NGO that recognizes museum professionals and museums as force for a change and important part of the peacebuilding effort at Balkan, and currently is the president of the Steering Board of the Network.